规则：
·4支由4个Pro和两个AM组成的队伍；
·每支队伍拥有1套相同的道具、1件仓库和9天时间；
·每支队伍拥有一个艺术指导、一个摄影师和一个摄像师；
·最后的成果（照片和Video）将由TWS的编辑(minus S&C coordinators Skin Phillips 和Josh Brooks) 根据各个队伍滑板动作，创造力和道具使用以及照片和Video的质量整体评定，所有成品照片将会发布在2010年十月份的《TransWorld SKATEboarding》；
Etnies
Crap Shoot（糙）
Directed by Benny Maglinao
这个想法是在我跟Oliver Barton闲坐时产生的，我们当时正在考虑去年参加S&C的事情。我不知道我们是怎么获胜的，我只是想开开心心的玩一把。所以我开始考虑现在对室内滑板场的注重程度有多高。它让我想到了以前“世界工业”时期，因为那就是从我玩板以来在视频中所看到的公园。我们并不想编个剧本，我们只是收集了一些那个年代的衣服，找那些真正的肥裤子和厚领T恤花了我们不少功夫。我在T恤上印了一些图案，比如Rudy Johnson 40 oz 。我也已经准备好用一台那个年代的摄影机，所以我想用超8格式拍摄将会很酷。Oliver也参与了拍摄，所以它看上去很真实。我想让滑手们玩板而我只是来回跑动拍下这些，就好像以前他们做的那样。我想每个人都会对我们最终收获如此多的镜头感到惊讶，视频中所用的只是我们拍摄的所有镜头中的一部分。
The idea came when I was sitting around with Oliver Barton and we were thinking about everything that went into it last year. I didn’t know how we could top it. I just wanted to have fun. So I started thinking about how there’s so much emphasis on indoor skateparks now. It made me think of recreating the old World Industries days, because that’s the park I saw on videos from when I started skating. We didn’t want to script it. We just got the first batch of clothes from that era, which took a lot of work to find—those really baggy pants, T-shirts with thick collars, like cotton was really thick then. I got little iron-on graphics for the shirts, like the Rudy Johnson 40 ounce. I was psyched on using a camera from that era, too, so I thought it’d be cool to film in Hi8. Oliver shot on film, too, so it looked authentic. I wanted guys to skate and I just ran around and filmed it, kind of how they probably did it back in the day. I think everyone was surprised on how much footage we got in the end. The video we made was only part of all the footage we had.
感谢kickerclub将视频上传至youku网：